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[Article] Red Letter Days, by Rachel Kushner


[Article] Prophecy Wonk, by Timothy K. Beal

[Article] Checkpoint Nation, by Melissa del Bosque

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Border agents are expanding their reach into the country’s interior

[Article] It’s All Over Now, by Amparo Dávila

[Article] Ove and Out, by Christopher Beha

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Knausgaard’s struggle comes to an end

[Postcard] Tiny Sparks, by Madison Mainwaring

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A Paris photo agency transitions to the digital age

[ArtMonday Gallery] Cherry Street near Pike Slip, by John Chiara

[Publisher's Note] Trading on Resentment, by John R. MacArthur

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“The ‘free trade’ policies championed by US leaders from Reagan to Obama, most definitely including the Clintons, have produced many victims.”


[Weekly Review] Weekly Review, by Harper’s Magazine

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Kavanaugh is confirmed; Earth’s governments are given 12 years to get climate change under control; Bansky trolls Sotheby’s

[Podcast] Fall Books and Rachel Kushner, by Harper’s Magazine

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On Lacy M. Johnson’s The Reckonings, Rebecca Traister’s Good and Mad, and Kristen M. Ghoddsee’s Why Women Have Better Sex Under Socialism; plus: an interview with the author of The Mars Room

[Satire] The Burden of Power, by Donald Hughes

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The mayor of Margaret’s Cove addresses the public slander against him

[ArtMonday Gallery] Lady Moth, by Charline von Heyl

[Weekly Review] Weekly Review, by Harper’s Magazine

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Nikki Haley resigns; Jamal Khashoggi murdered; Kanye visits the White House

[Postcard] The Things They Carried, by Alessandra Bergamin

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Relying on personal effects rather than DNA, forensic scientists work to identify undocumented migrants who passed away in South Texas

[Dispatch] Nikki Haley at the Council for National Policy, by Max Blumenthal

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Inside the conference rooms of power: the former US ambassador to the United Nations speaks about working with Trump


[Article] Bad Boys, by admin

[Article] Ow That’s What I Call Music, by admin

[Article] A Chicken in Every Pot, by William Morris

[Article] A Divine Pat, by John Cleese

[Article] Woman with the Beauty Spot, by Asmaa al-Ghoul

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